Acting-The Three Primary Eements

 

FAITH, AWARENESS AND UNDERSTANDING... You act by using the three primary elements upon which acting is based: the VOICE, the BODY and the MIND.

They're the materials that go into your acting. They're

the tools of your craft They're the eloquent instruments of your art.

THE VOICE AND THE BODY MUST BE MADE SO FLEXIBLE THAT THEY WILL INSTANTLY OBEY THE COMMANDS OF THE MIND WITHOUT CONSCIOUS

EFFORT.

The more you know, the more those words will mean to you. And you will know more-much more-later.

Where do you begin an acting technique?

You begin with the physical apparatus-arms, legs, torso, tongue, eyes, facial muscles and so on-from skeleton to skin. Technique is mechanics.

Technique is scientific. Isn't a scientific technique very mechanical?

Indeed it is. But you must have at your command, ready to serve you immediately-at your director's will-a practical knowledge of the mechanics of modern acting.

The seven tones of the musical scale are mechanical too, but they can be used artistically to create a great piece of music. The three primary colors and their divisions

are mechanical, but they, also, can be used to create a work of art.

To take another example, the frame of any house in skeleton form, with its cement, two-by-fours, steel girders, and so on, is a matter of good, sound mechanics.

It has very little to inspire you emotionally. But when a Frank Lloyd Wright applies his creative talent to it, the framework becomes the foundation for a piece of architecture that is artistic and inspiring in its finished form.

If the foundation weren't mechanically sound, a

Frank Lloyd Wright's inspiration would go to waste. The structure would collapse.

Do I believe in mechanical acting? No. But I believe an actor must build a solid mechanical mold before he can flood and color the performance of a role with his own talent and personality.

Without a substantial technical framework and foundation his performance will be subject to both hidden and obvious weaknesses.

Do you have to have talent to be an actor?

No.

Many actors have made a very good living by being such capable craftsmen in their use of the tools of acting that they have overcome the handicap of not having native talent.

They've made up for what they lack as inherent artists by becoming highly skilled, superior artisans-experts in the mechanics of acting.

Brittney L Dunn
For more information on everything for the acting student
visit: NYCActing.com

Secret 4 For Your Acting Audition Success

There are two important characteristics you have to have as a

GREAT actor.





1) An OPEN MIND



2) The ability to LISTEN





I cant tell you how important it is for an actor to be able to

let go of any decisions they have made prior to walking into

their acting audition.





So often we the actor make choices that

we believe suit the story only to have the casting agent or

director offer an alternative way.





I know in Secret To Your Acting Audition Success I alluded to

the fact that you don?t have to listen to the casting agent but

I stress here that that is ONLY if you have a GUT INSTINCT that

is telling you that your decision is stronger.





The casting agent is a vital part of the casting process they

are the ones that have sat down with the director and broken

down what it is the director is looking for.





So it is very important to LISTEN to the casting agent they are

giving you important directions that have come directly from the

client (if auditioning for a TVC), director, producer, and/or

writer.





I?ve spent a lot of time in audition rooms both in front and

behind the camera and all too often I?ve seen actors nervously

get caught up in what they are going to do that they aren?t

present and listening to what the casting agent is offering

them.





Big Mistake!





They miss the most important part of the audition ? knowing what

the director wants!





It?s vital that you put your thoughts to the side for a moment

and simply listen and be present with what the casting agent is

telling you instead of trying to figure it all out in your head.

Yes you have to be on the ball and think on your feet but not at

the expense of what the director might be looking for.





So take a deep breathe, relax and LISTEN to the casting agent.





If it?s an audition where you?ve had time to prepare it?s

absolutely acceptable and advisable to come prepared with TWO

ways to play the scene.





Don?t forget it is YOUR AUDITION.





Don?t be afraid to speak up in the audition room.

Ask questions if you need clarity. And let

them know that you have an alternative way of playing the scene.

The casting agents will be impressed and the directors will see

more of your range. Go for opposite choices. If you?re going to

offer an alternative make it obviously different.





If you offer an alternative way of playing the scene and they

still don?t think it works GREAT try what they are suggesting

and you have a whole range of your work on tape for the director

to work with.





So, Remember, an OPEN MIND and the ability to let go of any

preconceived ideas, LISTENING to the important information from

the director via the casting agent, and having an ALTERNATIVE

way of playing a scene are vital to your ACTING SUCCESS. You

will leave an impression that makes you someone people want to

work with.







To Your Acting Audition Success





Leanne Mauro

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